Little Works of Art
By
My sister Midge Smith
fall 2005
Growing up with a mother who had a talent for always making 'something out of nothing,' Carolyn's creative determination was nurtured from a young age. Carolyn said, “I have three sisters, and our mother sewed most of our clothing. If we saw a dress or top in a store that we liked, mom would go home and make it, using a bodice from one pattern, a sleeve from another, and in the end, she would recreate the original design at very little cost.”
Discovery
Fueled by her love of their subtle beauty and her determination to learn the process of creating lampwork beads, it has taken several years of trial and error to perfect her current technique. Her chin cupped in her hand, she said, “I originally bought a book and a video on lampwork beads to see how they were made, and to find out what equipment I would need.” Using the book and video, Carolyn taught herself how to make the delicate beads. After many long days, burned fingers, and misshapen beads, she finally was able to create beads that met her exacting standards.
Painting With Glass
Carolyn explained that she uses Moretti, and Vetrofond Italian glass to create her beads, and that they are kiln annealed for strength. Though she creates many different types of beads, three styles in particular are her specialtes. The first style has small, delicate flowers encased within the bead, and she appropriately calls them “flower-encased.” The second style she calls “sculpted rose beads,” and the third she describes as “open rose beads.” These three styles of exquisitely made beads are the foundation of her distinctive designs for which she has garnered a loyal worldwide customer base.
The hardest bead to master? She is quick to respond, “The flower-encased beads.
It took a grueling, hard year of work to figure out how to create these. My customers
always want to know how I do it, because they truly do look like miniature flowers
encased within glass. I had many botched attempts, and then one day it occurred to
me to try a different approach. Unbelievably, it worked, and now I would have to say
that now they are quite easy for me to make.” She adds that she does have a short
demonstration on her website that explains the process.
Her personal favorite? “Well,” she says with a warm smile, “It would have to be the
sculpted roses. Making these roses always reminds me of a sculptor working with clay.
I use layers of glass and my paddle to help shape the glass into petals. For these beads,
I often mix colors and then pull them out to create a new color. Mixing my own colors
has the added benefit of creating a unique bead. Once I am satisfied with the overall
look and shape of the petals, I simply add the leaves, and then I am finished.
Her best seller? “The open rose beads,” she says without hesitation. “I have probably
made hundreds of these beads,” she adds, “and no two ever turn out quite the same. I
think that is why my customers love them so much-they know that that are buying a bead
that is definitely one of a kind. I love experimenting with color combinations and giving
my imagination free rein in color, form, and detail.”
Making a Living
In the early years of her business, she typically did not design much jewelry, preferring to focus for the most part, on making the beads themselves. She decided to design several bracelets and auction them on eBay. The response was overwhelming, to say the least. After the sale of the bracelets, her jewelry was suddenly in demand, and in response, she has added a small jewelry line to her website, which is doing quite well.
Into the Future